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Contemporary Go
Terms by Chihyung Nam, Professor at the Baduk Dept. of Myong-ji University in
Seoul, Korea Oromedia Publications; available through www.slateandshell.com Hardback
325 pp; $40 Reviewed by Peter
Shotwell
This book, the result
of a painstaking year of preparation, is a response to the confusion surrounding
many go terms. Contemporary Go Terms translates almost 350 concepts of
Japanese, Chinese and Korean go into 450 English terms, with glossaries for each
language to tie things together. Although it could have used some more editing, Contemporary Go
Terms will be a handy addition to the library of anyone who wishes to
intelligently teach, learn or play go cross-culturally, since all terms are both
romanized and put into the characters of the various languages. It also makes
one aware of concepts that have names in Asian languages, but none in English.
For example, "Farmer's Hat" -"Three stones connected in a line with one on top"
- may seem a little strange until one realizes it is a direct translation from
Korean with equivalents in Chinese and Japanese, although none that is regularly
used in English. The discussion adds, "It is bad shape because it is a
combination of two empty triangles," so this might be a useful word to add to
one's stock of foreign go terms, although it is not necessary in English.
Contemporary Go Terms
could also be useful to anyone who wants to explain the game in English to
non-native speakers, or youngsters who might forget or can't understand the
Japanese terms we habitually use. For example, although "sente" is listed, one
looks in vain for "sabaki" in the English section. So, when the Japanese
glossary is consulted, one finds it listed as "break through," which is the
literal meaning in Korean, although we usually think of it as "playing lightly."
Similarly, one also learns that, while "sente" means the roughly the same thing
in all four languages, "sabaki" translates from Japanese as "handling
skillfully," while "Shinogi" means "to survive or to
withstand." In short, this book is
a pioneering effort to document what each of the four cultures are thinking
about when they look at the wide variety of go patterns
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