“Tachi-mori” is the art of drawing lines on high-end go boards using a traditional Japanese sword upon which lacquer has been thinly and evenly applied. Gurujeet Khalsa sent along this video showing the technique. The video is from Kurokigoishiten, which has a fascinating series of videos on making go equipment, including go stones and bowls.
American Go E-Journal » Go Art
Monday October 10, 2016
Thursday August 18, 2016
China painter Marlene Shankar, of Adirondack NY, sent the EJ this picture of her latest piece. “The design was a snippet from a painting done by Hua Sanchuan,” says Shankar, “my painting teacher Audrey McCullough went to China and in her travels she got this book filled with paintings by Hua. Years later I was looking through the book and was amazed to find the picture of the ladies playing go. I decided to put this piece on a plate not only to challenge myself with the level of detail but also because I’ve found it hard to stumble across a go related piece to call my own.”
“China painting requires special dry paints that the artist mixes with oils that can be painted on porcelain. This paint doesn’t dry and works like oil paints, however the color has to be built up with each firing of the porcelain. When the porcelain is fired the paint bakes into the glaze. After each firing you can determine if another layer of painting is necessary to build up the desired color and texture. The paint build up is similar to that of watercolor, coming on light and waiting to build depth.” Shankar is part of the Adirondack Region Porcelain Artist Chapter, affiliated with the World Organization of China Painters. To see an enlargement of Hua Sanchuan’s original piece, click on the thumbnail above. -Paul Barchilon
Thursday July 28, 2016
Ed Lee sent in this great shot of “Me playing go with my friend Blake Haber. The place is Third Window Brewery in Santa Barbara, CA, where they brew and serve their own beers. I drink only root beer but today I tried a latte from a new coffee stand there.
“Blake’s girlfriend Michelle Dixon snapped the photo — unbeknownst to both Blake and me at the time. It was a 2-stone game, I took white. Judging from the white stone in Blake’s hand, I believe we were fighting the last half-point baby ko in yose. It was our usual wild and crazy game where I made a 40+ point blunder in mid-game, but miraculously the result was W+0.5 — I couldn’t believe it after we finished scoring.”
Got go photo? Send ‘em to us at firstname.lastname@example.org!
Wednesday July 20, 2016
John Zombro, a life time Track and Field athlete and coach recently attended the Track and Field Olympic Trials in Eugene, OR and wrote up some of the things he learned from the character, philosophies and performance of the athletes. E-Journal photographer Phil Straus thought this list “is excellent for serious go players, as well for potential Olympic athletes” and sent along some illustrative photos.
Intensity: When Joe Kovacs placed second in the shot put, and secured his place on the team to Rio, it was an excellent example of intensity. The shot put requires the athlete to concentrate all his/her power into less than a second. Kovacs finished fourth in 2012 and needed a breakthrough throw to make the team. The intensity of his place-garnering throw rocked the stadium as loudly as his roar, and the crowd’s applause.
Aggression: Sometimes in life, and in sport, we need to be aggressive. There is no event where this is more true than in the 100 meters, and when Justin Gatlin toed the line for the final, it was all about aggression. Athletes learn to turn this on before an event, and turn it off soon afterward, but in the heat of battle, well, it’s all about the fight. Gatlin won the 100 going away in a true show of aggression.
Confidence: Not to be confused with arrogance, confidence is that trait exemplified when an athlete refuses to have doubts, trusts his/her training, and is resolute to fully utilize talent and give a maximum effort. There were many examples of this at the trials, but none better than Emma Coburn in the women’s 3000m steeplechase. Coburn, easily the class of the field and a Rio medal contender, exuded confidence before the start and throughout the race.
Humility: Bernard Lagat dropped out of the men’s 10,000 meters on a hot evening, unable to stay with leader Galen Rupp at the 7400 meter mark. At 41 years of age, Lagat, a champion many times over at 1500/mile and 5000m, just humbly commented that he could not stay with the leaders and was determined to come back in the 5000 and make yet another Olympic team. To the surprise of some, but not to others (including this author), when the pack exploded for the finish over the 5000’s last lap, Lagat took the lead in the homestretch and impressed us all.
Poise: Brenda Martinez was in contention for a medal in the women’s 800m, when, on the final turn, her stride collided with that of Alysia Montano, and her chances of making the 800 squad were dashed. She did not blame Montano, and instead said the collision was a “blessing in disguise.” She stated “The track doesn’t care about your feelings, you’ve just got to move forward”. She did just that in the 1500m final, gathering herself to take the third and final spot on the team to Rio in a photo-finish.
Focus: Molly Huddle, winner of both the women’s 5000m and 10,000m, in similar fashion, gave us a lesson in focus. She won both races by leading from the gun and then gradually pulling away from the field. Her ability to concentrate is only matched by her talent and work ethic in training.
Patience: Chaunte Lowe, the American record holder in the women’s high jump, a veteran at 32 years of age and mother of 3, convincingly won the women’s high jump. After a rather unsuccessful 2015, she patiently put in the training, and ruled the vertical leap. “I’m not quite done yet”, she said.
Execution: Sometimes you just have to execute. Have a race plan and follow it, but also see what develops and react appropriately. Allyson Felix executed in the women’s 400m, displaying a homestretch gear that no one else could summon, and going 49.68 in the process. Still recovering from a severely sprained ankle from a training injury in April, Felix stated that she knew she had to be patient and use her sprinter’s speed in the final 100m, regardless of how her ankle felt or what the other runners were doing. Always a class act, she attributed her victory to her coach, physical therapist, chiropractor, and massage therapist. Executing her race plan effectively “executed” all competitors.
Celebration: Occasionally we see athletes who deliver phenomenal performances but are never satisfied. “If only I’d trained harder, done this or that, or the weather was blank,” has been said a few times. But there is also something to be said for living in the moment. Sam Kendricks, in winning the men’s pole vault with a jump of (5.91m) 19’-4.5”, was jubilant in his victory. He took the microphone and thanked the athletes, the coaches, the spectators, and really shared the joy in his accomplishment. Kendricks was a graceful champion and captured the spirit of the trials.
Appreciation: In this modern world, we sometimes lose track of those human qualities mentioned above. We have so many distractions in our connected, electronic, social media-driven world. However, I can say for certain that those Olympic ideals of striving to go higher, farther, faster, and to do it with honor and respect, were alive and well in Eugene and they are pulsating in our Olympians. Go USA!
Wednesday July 20, 2016
Monday December 21, 2015
Pittsburgh-based artist Jesse Kauppila is looking for two “highly skilled go players, hopefully dan-level, who can memorize and reenact a historic go game which I can film.” An artist in Carnegie Mellon Univeristy’s MFA program, Kauppila is working on visualization/film project in which “I will be visualizing a game of go using a 7 axis Robot and 20,000 Legos.” The project is an extension of Kauppila’s recent public art project, “Checker Brick House.” “I am located in Pittsburgh, but I am willing to travel for this project,” Kauppila says. Contact him here.
Image: Kauppila’s “Bitmap Machine”
Saturday November 28, 2015
“I just found ‘Tokyo Newcomer‘ on the net,” writes Michael Redmond 9P, “but I see that you covered it in the ‘Go Spotting’ column in 2014. The games in the movie were realistic, and there is a scene about 36 minutes into it that shows pros playing in what looks like elimination rounds for a hayago tournament. In this scene the main character is playing against Matsumoto Takehisa 7P. Takemiya Yoko 5P poses as a TV analyst for a game later.”
Thursday June 11, 2015
“I easily believe that the magnitude of the Board and the quantity of pieces render this game quite ingenious and quite difficult,” wrote the German polymath and philosopher Gottfried Wilhelm von Leibniz about go in 1710. Leibniz, in “Miscellanea Berolinensia” goes on to note “the singular principle” of go is not “the death of the enemy, but only to push him to the limits of the Table,” which, while not perhaps technically accurate, certainly gets at the heart of the game, though he goes on to draw the questionable conclusion that the game’s inventor “abhorrent of murder, wished to obtain a victory not soiled by blood.” Leibniz learned about go from the book “Christian Expedition among the Chinese,” by Nicolas Trigault, a missionary to China in 1600s.
graphic: from Miscellanea Berolinensia; thanks to Simon Guo for passing this along.
Tuesday November 18, 2014
The Internet is filled with cats, so Steve Colburn wasn’t too surprised to come across this piece by Tango that combines cats and go. “The tumblr this came off of has a lot of fun images for simple perspective and jokes,” Colburn adds.
Tuesday November 4, 2014
This oil painting depicting a go game between a young Korean girl and an older western man is featured in an October 31 ArtNet News report about North Korea’s Mansudae Art Studio. Perhaps the world’s biggest art factory, “It employs around 4,000 laborers of which under a quarter are artists who mostly graduated from the Pyongyang University of Fine Arts. The studio churns out propaganda for the Kim family leadership, producing everything from trinkets to murals and gigantic Soviet-style monuments.” This piece, entitled “Confrontation” is by Kim Hyon Myong.
Thanks to David Fruchtenicht for passing this along.