E-Journal reader Eric Moakley recently spotted these go playing lawn gnomes in a Rite-Aid in Boulder CO. “Though no one in the store knew the game, I was happy to see go out of a normal context, says Moakley.
American Go E-Journal » Go Photos
Sunday July 17, 2011
Sunday June 5, 2011
Janice Kim’s article about go stones in a Japanese internship camp (GO SPOTTING: ‘The Archaeology of Internment’ 5/9) prompted roving E-Journal contributor Peter Shotwell to send along some excerpts from Holly Uyemoto’s 1995 book Go: A Novel, which focuses on generational differences among Japanese-Americans. The sketches below — which are not part of the novel — are from the George Hoshida Collection on the Japanese American National Museum website.
I used to not like Uncle Mas very much. He bored me… I always found Uncle Mas drab, a frog on a log. It requires no stretch of the imagination to picture his tongue popping out suddenly, catching a fly or a raindrop. But one day, my grandmother told me a story about Uncle Mas that changed the way I saw him for good…
Before he became a naturalized citizen, [Ojiichan, another uncle] carried a copy of the Constitution in his wallet and took it with him everywhere he went. He quoted from it freely. After Pearl Harbor… Ojiichan brought out his Constitution and cited the Fourth Amendment rights [but they] took him away, the Constitution neatly folded again and put back in his wallet.
Ojiichan was a great go player [but] deemed a Japanese cultural item, the government barred Ojiichan from taking his old go table with him into camp, so he made one… He learned to shape and polish quartz veined with orange borax, and obsidian black and bright, with edges that cut metal and skin. Uncle Mas was fascinated with the go board. He begged Ojiichan to let him play with it. Ojiichan told him not to go near the board… Later, he brought down the go board and the stones, smooth quartz and biting obsidian, and asked my grandmother, ‘Where is he?’ He then set about teaching Uncle Mas how to play—not the five-in-a-row kind of go that children and Westerners play, but the real thing. Uncle Mas learned quickly. He had an aptitude for strategy: in the end, both too much so, and not enough. Ojiichan’s friends would gather around, joke, give Uncle Mas hints, and make friendly wagers about how many moves it would take Ojiichan to win. The nightly face-off between Ojiichan and Uncle Mas became community entertainment.
Uncle Mas winning was never a question, but one day it happened. About six months after he started playing, he beat Ojiichan. And Ojiichan made him swallow one of his own stones. This was Uncle Mas’s victory, and his punishment. Uncle Mas thought Ojiichan was joking, but he wasn’t. He insisted Uncle Mas swallow the stone. Uncle Mas reasoned that as the winner, he should choose whether or not he had to swallow the stone. Ojiichan said it was his ‘tadai no gisei o haratte eta shyori,’ his conquest, having exceeded his master, and his punishment for the same reason—the Japanese equivalent of Pyrrhic victory.
Uncle Mas swallowed the stone, and he stopped playing go…after his big win, he made himself scarce…The next time my grandmother saw him was when she was called to the infirmary after Uncle Mas had been found in the latrine trying to pass a huge fecal boulder. He was rushed to the hospital and operated on. The doctor said he would be fine. There were no fresh fruits and vegetables to speak of in camp. Most meals consisted of mutton and either rice or potatoes. The camp doctor assured Ojiichan and my grandmother that constipation was entirely normal in camp, but it seemed that there had been an inorganic stoppage of Uncle Mas’s bowels: during his operation, the doctor extracted one perfectly round, flat, knife-edged obsidian stone.
‘Remember that story about Uncle Mas?’ I asked my mother one day. ‘The go stone Ochiijan made him swallow?’ ‘Nobody made anybody swallow anything,’ my mother said. ‘Then why does Uncle Mas have a bad stomach?’ ‘Because he can’t express himself.’ ‘You mean, talk?’
When he was released from the camp infirmary, Uncle Mas was whole again, except that he stopped talking… A week later, he suddenly slumped over. He was rushed back to the infirmary. There were lots of cuts in Uncle Mas’s large intestine; they had ruptured and were bleeding. The doctor removed four feet of Uncle Mas’s large intestine and sewed him up again. ‘Don’t you remember?’ I prodded my mother. ‘Grandma told me.’ ‘I was a baby then. Besides, sometimes she just liked to tell you stories.’
But Uncle Mas still has terrible troubles with his stomach, and he still refuses to play go. I saw him studying Ochiijan’s fancy table once. Uncle Mas ran his hand over the top, touched the carvings, and, pulling back in order to see, squinted at the inlaid grid. He opened the drawers and studied the stones. He held one of the smooth black onyx in his palm, rolling it back and forth. And then he walked away.
- excerpted from Go: A Novel, by Holly Uyemoto
Sketches from the George Hoshida Collection on the Japanese American National Museum website. George Hoshida (1907-1985) was born in Japan and at the age of five, his family settled in Hilo, Hawaii. As an active practitioner of Judo, Hoshida was active at the local dojo. This led directly to his arrest by FBI agents on the day after the bombing of Pearl Harbor as a potential saboteur. Unlike most Japanese Americans living in Hawaii, Hoshida was incarcerated for the duration of the war, first at Kilauea Military Camp and Sand Island in Hawaii and later in mainland Justice Department internment camps at Lordsburg and Santa Fe, New Mexico. Eventually, he was able to rejoin his wife and young daughters, but only when they agreed to leave Hawaii to be incarcerated with him in a War Relocation Authority camp on the mainland. Hoshida began a visual diary of his incarceration from his earliest days in prison. The two notebooks in the collection of the Japanese American National Museum are an extremely rare visual document of the special Justice Department camps and chart his frequent movement from one facility to the next. (Hoshida bio courtesy the Japanese American National Museum, which supports several Japan relief efforts.)
- editing, layout and graphics research by Chris Garlock
Monday February 14, 2011
Monday February 14, 2011
Despite reduced hours and a vacant rental space, the doors are still open – and the lights still on – at the Seattle Go Center. “Tuesday nights continue to be very popular at the Go Center, with over 30 players attending,” reports Center manager Brian Allen. “The Yang Yilun workshop this weekend had 20 participants, with a good mix of old friends and new faces.” Although the Center’s downstairs rental space is still empty, income has matched expenses for the 2010-11 fiscal year, which started last July. “We have had a big increase in donations, matching grants from employers, and lifetime memberships,” says Allen. “And we reduced expenses by limiting our hours, and relying more on volunteers. Of course, we are working hard to get the downstairs rented out, which would give us additional income. We had one negotiation get as far as a letter of intent, but now that deal seems unlikely.”
photo by Brian Allen
Monday January 31, 2011
Monday November 15, 2010
Monday November 1, 2010
Sky, Joel Sanet, and Alan Salzmann at the Miami Go Club’s new location at Loehman’s Plaza in North Miami. Photo by Alex Feldstein
Thursday October 14, 2010
At the Digital Contents Expo 2010 in Tokyo – which goes through October 17 – a man plays go as the images of the pieces are placed and moved by a projector with motion-sensitive camera sensors. Photo courtesy Reuters. Thanks to Mark Gilston for passing this along.
Saturday August 7, 2010
Saturday August 7, 2010
Official E-Journal broadcasting partner KGS tattoos were ubiquitous this week at the 2010 U.S. Go Congress. The temporary tats showed up on the most unexpected people — including Cyberoro and Tygem commentator Seong-Yong Kim 9P and in the most unlikely places, including, according to some reports, some nether regions, but we were unable to get to the bottom of this story.
- photos by Chris Garlock & Steve Colburn