“Thanks for mentioning the Go World Index (“My Favorite Go World Story” Contest Announced 11/26 EJ)” writes Jochen Fassbender. “As the GW indexer I’d like to call your attention to the fact that GWI is updated till #125, not #122, with some of the material in later issues already indexed. Users may also want to check out the GWI broad terms page which allows a hierarchical top-down approach to finding one’s favorite articles. And there is an updated cumulative table of contents through #128. It will be interesting to see which articles may be the top favorite ones in the “My Favorite Go World Story” Contest, especially because there are many dozens of excellent articles. Also, many gems of early GW issues may not be known today.”
American Go E-Journal » YOUR MOVE: Readers Write
Monday December 3, 2012
Sunday December 2, 2012
By Keith Arnold
In a time when Newsweek cannot make a “go” of it as a print publication, it is hardly surprising to see the end of Go World. Still, a visceral sentimental sadness is hard to shake. Those of us who go back to the days of Go Review, or at least the pre-internet years, will doubtless find this passing much more of a milestone than younger folk. In the not-so-distant days when there were just a few new books a year, the quarterly arrival of Go World filled my weekend mornings as I carefully reviewed title matches and eagerly devoured the months-old ‘news,’ stale perhaps but as fresh as an English speaker could get at the time.
So it’s hard for me to choose just one favorite Go World story (“My Favorite Go World Story” Contest Announced 11/26 EJ) from a magazine that was such a constant companion, in the car, in my briefcase, consulted whenever life lulled. But one of my favorite moments as a go player is Go World related, although, luddite that I am, I must confess it occurred using “Go World on Disc” and not the paper version.
I was reviewing a game of Shuko’s (still my favorite player) at home on the computer. I was a keen, improving player at the time, and even if I might be stronger now, I am not sure I am as sharp. The program allowed you to guess the next move by clicking on an empty intersection – if you were correct, the move would appear, along with any comment from the magazine on that particular move. It was Shuko’s play in a complex fight and I stared at the board, trying to find a way for my hero to win. I read for some time, finally made my decision, and clicked on the spot. Nothing. I looked again. I still liked my move, so, stubbornly, I clicked again on the same spot. Still nothing.
Usually when this happened I would try other moves, with increasingly lazy speed till I happened on the right move or gave up in frustration. But this time I just stared at the screen and finally hit the key for the next move. With the digital stone, a comment appeared. “Shuko regretted this move. He should have played at ‘a’” which was…my move! I will never forget jumping up and down with excitement at finding the right move when the pro had not. And it was not even one of Shuko’s famous blunders. I was thrilled.
Don’t get me wrong, I was and am still a weak go player, and this is the only time that I, like a duffer golfer whose one good drive keeps him coming back, can ever recall doing this. Thank you Go World for all the pleasure you have given us over the years, and for that one glorious moment that made them all sweeter.
Arnold runs one of the oldest chapters in the American Go Association, the Gilbert W. Rosenthal Memorial Baltimore Go Club, which has sponsored the Maryland Open go tournament every Memorial Day weekend for 39 years.
Saturday November 24, 2012
“Chen Zude was a man of many accomplishments and a pillar supporting go in China,” writes Feng Yun 9P. “I remember him well. (Chinese Professional Go Player and Pioneer Chen Zude Dies 11/3 EJ) Mr. Chen was among first three 9-dan professionals in China (the other two are Nie Weiping and Wu Songsheng). He was not only a great go player who led the Chinese go players to catch up to the Japanese in the 1960′s but also a great leader of the Chinese Weiqi Association as well as of other mind games such as chess and xiangqi (Chinese chess). Mr. Chen is also well known as an author of many go books, especially his autobiography, Striving for Excellence, which at the time he thought would be both his first and his last book because he had been diagnosed with cancer. He continued his fight with cancer for thirty years. When I established my go school in New Jersey, Chen Zude wrote a letter of congratulations (right), which is posted on my website. Mr. Chen is a teacher and a go player who is well remembered by all players!” Feng Yun’s Member’s Edition game commentary this month — Chen Zude vs. Miyamoto – was especially chosen in memory of Chen Zude and will be published in the December 18 EJ.
Friday November 23, 2012
Perfect Rules Are Possible: “I share Terry Benson’s hope that ‘maybe someday the countries of the go world will agree on clear, logical, complete rules’ (Your Move/Readers Write: Spoiling a Masterpiece Unnecessarily 11/5 EJ),” writes Joel Sanet. “I would add to that list ‘perfect.’ For me ‘perfect’ means that there are no unnecessary rules. The AGA rules as they are currently constituted are not perfect. They contain an unnecessary rule forbidding suicide. As many people are aware, suicide can be a good ko threat. A rule that restricts a perfectly good move is a flaw in the rules. As far as I know, the only rule system that removes this flaw is the New Zealand rules. Maybe it’s time for the AGA to join the progressives in New Zealand.” graphic courtesy Sensei’s Library
Getting Stuck is Normal: “It’s normal to experience plateaus as we progress, (The Spirit of Play: “I’m Stuck” 10/29 EJ)” writes Peter St John. “We gradually learn a bunch of little things, without perceptible progress; then those things gel in our minds, and we make a leap up, as if we had been straining at a leash that breaks. But then we slip a bit from the peak of our leap up, and have a new plateau, about at the level of the peak of our last leap up. This shape curve can be seen in rating histories on KGS and in chess. Secondly, ideal progress is to spend time interactively with people about two classes (say, about four stones) stronger than we are (people one or two stones stronger than we are don’t really know why they are stronger; generally, a teacher can only bring you up to a level below himself). The process of keeping up with such strong players, understanding what they are saying and what they are thinking, as we play and analyse with them, makes us strong. Unfortunately, the stronger we get, the harder it is to find much time with people that much stronger; at the top, obviously it’s impossible to improve from 8P to 9P this way, as people two classes stronger don’t exist.”
Saturday November 10, 2012
Girl vs. Monster: Go makes an appearance in the new Disney channel movie “Girl vs. Monster”, reports Tyler Keithley. If anyone’s got more details and/or stills, send ‘em to us at firstname.lastname@example.org
Xbox LIVE’s Path of Go: Shawn Ray from Tennessee recently discovered Xbox LIVE’s go arcade game The Path of Go. Ray notes that “My mother, who is not even a go player, said ‘You know go is getting popular when it is on the X-Box.’” He says the game is “unique and fun,” adding that “the graphics are very well done and the board and stones are beautiful and portrayed in a way that you feel like you are playing with the go stones from ancient times.” In addition to useful beginner-level problems, Ray says there’s “a nice little story line with an interesting twist at the end.” He adds that “While most players who are well versed in the game might find the first few chapters boring and easy, it is worth it once you reach the later stages in order to find out what happens. Also the final boss is not so easy, as I am a 4d and it still took me a couple tries to beat him since we are playing on a 9×9 which forces me to come up with new strategies as I can’t us my normal joseki/fuseki ideas on a smaller board.” Ray has a few minor technical complaints but his main problem is that “since the game is not yet popular, I am finding it very difficult to find an opponent on X-Box Live. Hope we can spread the word and get more go players online!”
See Xbox’s Path of Go The New Hikaru No Go? for our original report in the January 10, 2011 EJ.
Tenjou Tenge: Taylor Litteral spotted a go board in Episode 26 of the anime Tenjou Tenge (at 7:40). The anime is based on the Japanese manga series written and illustrated by Oh! great, which primarily focuses on the members of the Juken Club and their opposition, the Executive Council, which is the ruling student body of a high school that educates its students in the art of combat. As the story unfolds, both groups become increasingly involved with an ongoing battle that has been left unresolved for four hundred years.
Monday November 5, 2012
“What a shame that the Lee Sedol-Gu Li game (Quadruple Ko: Gu Li vs Lee Sedol in the 17th Samsung Cup 11/3 EJ) was left as an unsatisfying draw!” writes Terry Benson. “Starting in the 1920′s and particularly with American rules experts Robinson and Olmstead in 1941, many of those interested in the rules of go have proposed a ‘super ko rule’ to treat all ko’s – even complex ko’s – as we do a simple ko: break the full board repetition with a ko threat. Traditional Chinese rules, Ing rules, AGA rules (now used in France and Britain), and the rules of New Zealand and Australia all have super ko in some form. Only the resistance of Japanese and Korean traditionalists has prevented this simple and logical change. Why should the death of a Japanese warlord in 1582, the day after a triple ko occurred, be the superstitious basis for a rule of go? Lee and Gu created a masterpiece of go that was spoiled by an ugly rule. They could have played it out. With examples like this, maybe someday the countries of the go world will agree on clear, logical, complete rules.”
photo: Lee Sedol 9 dan (foreground) and Gu Li 9 dan (far right).
Sunday November 4, 2012
“I enjoyed the article about being stuck at certain levels (The Spirit of Play: “I’m Stuck” 10/29 EJ)” writes Pierre-Yves Laflèche. “In my experience the 2-kyu (or thereabouts) block has been the biggest one for my students. I’ve found that often, trying to power through with problems or reviews can leave the player frustrated if his efforts don’t pay off. It’s one thing to recommend doing problems and game reviews to improve, but what if the student does that and still isn’t improving? A complex situation like that would best be served by a teacher and lessons, but that isn’t always possible with time and budget constraints. One solution that I’ve offered my students has been to change up their playing style, in an attempt to broaden their go horizons and get out of unproductive or unsatisfying habits. The classic example would be to emulate the great Takemiya Masaki’s moyo play, but that is not the only path. I’d be interested in hearing other possible solutions, as this problem is something I’ve thought about quite a bit.”
Send your responses to email@example.com
Wednesday October 10, 2012
EJ reader consensus is that the game in the “Gangnam Style” video (Go Spotting: Go Gangnam Style 10/8 EJ) is not go, but changgi, or Korean chess. “The player on the right appears to be contemplating moving a piece, not placing one,” points out Peter Drake. “More significantly, there are no bowls of stones visible.” Xinming Simon Guo notes that the pieces are all the same color, and his close-up screen capture seems to settle the question.
Sunday September 2, 2012
Whence the Seattle Portable Set? “In a world of on-the-go go, it is really difficult to find a portable go set that is satisfying to play with,” writes Ramon Mercado. “But I think I’ve managed to find it. I was searching for a set to take to the club meetings on the coffee shop, and to have available for a quick middle-of-the-day game break at work. Thus, one of those magnetic non-standard size sets was not enough; I wanted a full standard-size board. So imagine my excitement when one day a member of the Des Moines Go club shows up with this perfect folding go Japanese-standard board. No hinges or interlocking pieces, and when opened, the lines perfectly aligned. Great sounding wood too! I asked excitedly ‘where did you get this?” and was told ‘This board is from Seattle.’ Apparently the board dated back to the early days of the Seattle Go Center and the board’s owner has never seen anything like it again. After a few months of searching I did track one down on eBay, but I’m wondering if someone could tell me more about this board, what is its relation to the Seattle Go Center, what it’s made of, and most importantly, can someone make more?”
Email information to firstname.lastname@example.org
No Politics: “Please do not include political pieces in future journals,” wrote Mason this week (Ron Paul Using Go Strategy to Advance Agenda at GOP Convention? 8/26 EJ). “There is no place for them.”
The E-Journal is dedicated to covering go-related news without fear or favor. Sometimes that news may have political or social aspects but our focus is always on the game of go and it is never our intent to imply support or endorsement of any particular political or social view.
Saturday September 1, 2012
“My wife Kathy Kline’s book group recently read The New York Times best-seller The Elegance of the Hedgehog” writes Terry Benson. “Pages 112-114 in Muriel Barbery’s book (translated from the French) have a wonderful go reference.”
“The main character is a precocious 12-year-old girl who comments acerbically about the adults around her and knows more about go than the father of a friend who is making a movie of The Girl Who Played Go. She uses go as a philosophic metaphor, saying that ‘One of the most extraordinary aspects of the game of go is that it has been proven that in order to win, you must live, but you must also allow the other player to live. Players who are too greedy will lose: it is a subtle game of equilibrium, where you have to get ahead without crushing the other player. In the end, life and death are only the consequences of how well or how poorly you have made your construction. This is what one of Taniguchi’s characters says: you live, you die, these are consequences . It’s a proverb for playing go, and for life.’”
(Previously reported in GO SPOTTING: The Elegance of the Hedgehog 5/4/2010 and The Return of the Elegant Hedgehog 10/24/2010. NOTE: The novel was adapted into a film The Hedgehog (Le hérisson) released in the U.S. in 2011, starring Josiane Balasko as Renée Michel, Garance Le Guillermic as Paloma Josse, and Togo Igawa as Kakuro Ozu, with a score by Gabriel Yared. Click here to see a trailer)